Using rare footage and exclusive interviews with filmmakers from all over the globe, "Reel Herstory" corrects the historic notion that women behind the scenes in motion pictures held peripheral careers compared with their male counterparts.

The series heads to the very frontiers of space and science to produce the definitive television history of science fiction, told through its impact on cinema, television and literature, with the help of filmmakers, writers, actors, and graphic artists. Each episode will explore one of the enduring themes of science fiction: time travel; the exploration of space; robots and artificial intelligence; and aliens.

The Joan Crawford crime thriller, The Damned Don't Cry (1950), is the topic of discussion for various interviewees.

From Star Wars to Jedi: The Making of a Saga is a 1983 television documentary special that originally aired on PBS. It is a behind-the-scenes look at the making of the original Star Wars trilogy, with particular emphasis on the final film, Return of the Jedi. Narrated by actor Mark Hamill, the documentary was written by Richard Schickel who had written the previous television documentaries The Making of Star Wars (1977) and SP FX: The Empire Strikes Back (1980).

A dog takes a bath.

A Short History of the Gaze is an experiential essay for Virtual Reality about the relationship between gaze and violence. 　　From the evolution of sight in a pre-cambrian sea creature to the dominance display of a primate, from a landscape of billboards begging for attention to an infinite panopticon, the player traverses and affects the virtual scenes by simply looking (or not looking) at things.

A Short History of the Gaze is an experiential essay for Virtual Reality about the relationship between gaze and violence. 　　From the evolution of sight in a pre-cambrian sea creature to the dominance display of a primate, from a landscape of billboards begging for attention to an infinite panopticon, the player traverses and affects the virtual scenes by simply looking (or not looking) at things.

Who am I? What is real? How to live in the madness of the world? These are questions posed by six people who have had psychosis and speak openly about their experience. They have in common that they think deeply, and that at particular moments in their lives, they were under intense personal and social pressure. 　　The Desert of the Real draws the viewer into their lives before the pivotal events, the psychosis itself, the intensive treatment and the road to recovery, in full awareness that what has occurred cannot be undone. The unguarded and emotional interviews, conducted in their familiar surroundings, are interspersed with staged situations that evoke the interviewees’ experiences of being in a reality that is manipulated, as if in a movie. 　　The film offers a clear perspective on what it’s like to have psychosis, while also raising questions about how we, as a society, treat one another. One the six offers their view on psychosis as “A normal response to a completely crazy and disturbed society.”

This Afrofuturist short film demonstrates that rhythm and dance bridge all times and spaces. Winner of Best Experimental Film at Collect Voices Ethnographic Film Fest, this film screened at Afropunk, Black Harvest Film Fest, and internationally.